Photo lifted from Brian Jennings Blog.
I finished watching Season 2 of this crowd-funded series. And yup, I did my part by ‘paying forward’ as well. LOL
I have to say that I am impressed with this “creative” take of the life of Jesus. Emphasis on “creative” - the director/producer uses much creative licenses to dramatize and humanize. And it is focused more on the humans around Jesus, the humans he chose to be his apostles, followers, etc. Parang Humans around Jesus LOL
I believe the series started production in 2019 thereabouts. They have produced 2 seasons with a goal of producing 7 seasons and reaching a billion people around the world. (They are at +300M views.) I found about it from my Ate as she excitedly shared this to the family.
I love the series! As a Catholic watching this series produced by an Evangelical Christian (Dallas Jenkins), I can only say - congratulations for pulling this off! I actually believe that only a non-Catholic could actually pull this off (and I say this with much affection for the Roman Catholic church). His creative licenses would have needed approvals all the way up to the Vatican (Nihil Obstat). And judging by the way he wove the stories, I think the Church might find some ‘objectionable’! But he wanted this to be inclusive, and authentic. He consulted with many sources, including Catholic priests, Greek orthodox, Jewish rabbi, etc. In the end, he has succeeded in creating a story that is both inspiring and enjoyable.
At many parts, I was actually moved to shedding some tears. Some stories resonated deeply: Peter’s conversion, the disabled ‘thief’ living in the fringes. I enjoyed the ‘extremist’ plot line of Simon the Zealot. (That was something I didn’t know!) I also found myself amused that Dallas incorporated some storylines that have always intrigued me. (Jesus and John the Baptist calling each other cousins). And hurrah for racial inclusivity, people of color being cast! (I could swear there were Asians there, too.) There is also something so contemporary about the dialogues (which might raise some eyebrows). But on deeper analysis, concerns of two thousand years ago may not have been very different from today.
I like the choice of Jonathan Roumie as Jesus. His eyes convey compassion and authority. His demeanor is relatable (very ‘human) yet stately. Again, a refreshing take on the Jesus as story character.
It’s not perfect. Some episodes do drag out as the stories of the ‘humans’ have to be fleshed out (pun intended). That Roman Praetor Quintus seemed a tad like a caricature of an evil, scheming villain. Some familiar New Testament events that were linked together seemed ‘incredulous’.
But these are minor bleeps. The series deserves support (yes, monetary as well) and promotion. I hope to see this series completed and its loft ambitions reached!
